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1. Stains, Sprays, and Splendor Fill the Canvases of Color Field Painter Jules Olitski

   Feb 15, 2012 - In the mid-1960s Olitski transitioned to Spray paintings, putting down the paintbrush and picking up the spray gun—sometimes painting with two spray guns at a time, says Greene. He put down the spray gun, and the gesture of painting returned, especially in the High Baroque series, which is much more built up in texture and dimension.   Explore More After viewing the Spray paintings, such as Patutsky in Paradise, walk through James Turrell’s neon    The Light Inside    , the Wilson Tunnel that connects the museum's two gallery buildings.

2. A Conservation Challenge: The Ceramic Robotics of Clayton Bailey

   Feb 19, 2014 - However, larger burps produced a larger radius of spray, which would constitute a slipping hazard for Museum visitors. We decided on a middle ground of moderate burps and minimal spray for display: Want to see more up-close looks at conservation projects? See Selected Case Studies for a few highlights.

3. Revelation: Major Paintings by Jules Olitski

   This glorious presentation highlights the series that define Olitski’s major advances: Stain paintings, Spray paintings, Baroque paintings, High Baroque paintings, and the last great series, titled "With Love and Disregard."

4. Selected Case Studies

   However, larger burps produced a larger radius of spray, which would constitute a slipping hazard for visitors. A middle ground of moderate burps and minimal spray was decided on for displaying Monster ("Burping Bowl") in the exhibition Beyond Craft: Decorative Arts from the Leatrice S. and Melvin B. Eagle Collection.